Noritsu and Gretag minilabs which are designed for Kodak SM chemicals do not have conventional replenishing tanks. Conventional replenishing tanks contain (a) concentrate(s) diluted with the proper amount of water. The Kodak SM chemical kits for film and paper are used as disposable replenishment tanks containing concentrates only. These concentrates are dosed directly into the working tanks. The necessary amount of water is dosed separately and is injected directly to the working tanks.

The FUJIFILM Europe DIS chemical system consists of external replenishing tanks that can be refilled with the corresponding Fuji Hunt concentrates/ready-to-use chemicals. Only four external replenishing tanks are needed for each process (film and paper).

Holga cameras have a near fanatical following of professionals, educators and artists. But, for those not familiar with the brand and its unique properties, a Holga is largely an enigma. This does not dissuade people from buying the camera. In fact, the Holga mystique draws people to it. In this guide, we will lift the veil that shrouds the camera and give you special insight into the Holga. We will explore the camera’s inner workings, show you how to use it, and discuss that special photographic “sensibility” the Holga is known for.

HOLGA SENSIBILITY
A Holga is a study in plastic imperfection, and to use it is an exercise in breaking free from dependence on technology, precision, and uber-sharpness. The slight softness of the images, uncontrollable vignetting and peculiar light leaks create a partnership between you and your Holga. These “flaws”, accompanied by your creative choices, result in a quasi- serendipitous form of art.

Stunt photography – or trick photography – is the fun side of Photoshop Elements. It’s about swapping out elements in your photos. Or adding new things or removing things you don’t want. It’s about creating situations that didn’t really exist. Though there’s a legitimate side to Photoshop Elements tricks too. They can be very helpful for cleaning up little messes on your photos.

Stunt photography can be a lot of fun. Swapping a friend’s face for the Mona Lisa’s, for instance. Or making your child look like she’s walking on the Moon. It’s fun – and surprisingly easy, using just a few basic tools.
But, of course, these tricks can also be functional. Occasionally you’ve shot a perfect photo – except for a stray wire hanging in the background or an untimely blemish. And sometimes, for a variety of reasons, you just want to place someone in a  location other than where he or she was actually photographed.